Kris Kuksi garners recognition and acclaim for the intricate sculptures that result from his unique and meticulous technique. A process that requires countless hours to assemble, collect, manipulate, cut, and re-shape thousands of individual parts, finally uniting them into an orchestral-like seamless cohesion that defines the historical rise and fall of civilization and envisions the possible future(s) of humanity. Each sculpture embodies the trademarks of his philosophy and practice, while serving as a testament to the multifaceted nature of perception – From timeless iconic references of Gods and Goddess, to challenging ideas of organized religion and morality, to the struggle to understand, and bend, the limits of mortality. None is complete without a final and brilliant touch of satire and rebuke all conceived in the aesthetic essence of the Baroque fused with the modern day industrial world. In personal reflection, Kris feels that in the world today much of mankind is oftentimes frivolous and fragile, being driven primarily by greed and materialism. He hopes that his art exposes the fallacies of Man, unveiling a new level of awareness to the viewer. His work has received several awards and prizes and has been featured in over 100 exhibitions in galleries and museums worldwide.
I notice everything. And by everything, I literally mean everything. I notice when someone stops hitting me up like they used to. I notice when the way someone talks to me starts changing. I notice the little things that people do, and the little things they used to do. I notice when things change, and when it’s no longer the same. I notice every single little detail. I just don’t say anything.
There’s something eternally fallen about the way Pitt looks, still slightly baby-faced at the age of 29, but with the optimism of that youthfulness betrayed by his perpetually stubbled cheeks and a set of eyes that seem to easily radiate a psychic sadness - Martin Scorsese reconnects with Michael Pitt, Interview Magazine (ph. Craig McDean)